It's high time I address three of the major collections showcased at Runway Malta last Saturday. Overall, I did feel that the Autumn/Winter edition of Runway Malta presented a better ensemble of 'bigger' designers. However allow me to focus on the three labels I want to share with you today (a day which shall soon end for I am writing this post half asleep!)
My observations start with one of the leading high-street stores: FCUK. Now I admit that I don't usually go to the said store to browse through their collections as I do with other high-street shops, but I confess I have a soft spot for their advertising campaigns. In fact, as press we were given a booklet with the latest collection, obviously set against the typical FCUK campaign. Sadly, I do have to state that I enjoyed flicking through the pages of the booklet much more than I enjoyed watching the collection unfold on the runway. And please let me explain why. Apart from a cream dress, a sequin ensemble and a plunging-neckline top, pictured below, I found the collection quite uninspiring. Too far away from my expectations. I don't know why.
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FCUK |
On to Marius Op't Eynde and his cycling inspired menswear collection. My interview with the designer built very high expectations in me and after watching the show live last Saturday, I can say I liked almost everything. I could definitely discern the cycling-inspired features - including very fast models who barely gave me time to photograph them. Good one though! Tied in well with the theme! - and the statement prints he also spoke about. In general, the collection was bright, sharp and an interesting play between muted edginess and everyday wear. My vote on the wearable-meter? A good 7. I think the pieces are quite high-street friendly. Thumbs up!
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Marius Op't Eynde |
The final designer in this post is TK, who joined us after travelling all the way from New Zealand. TK's highly feminine collection, with a predominantly black and gold colour palette, is probably the one I'd give the highest vote in terms of wearability. Then again, that does not imply that I was necessarily impressed by this collection. Don't get me wrong, but I kind of felt this collection missed a special something. I largely blame it on the fact that it was shown in between two much stronger collections, which I found to have slightly shadowed it. Nonetheless, I'm a great fan of the fabrics used. They drape very gracefully. The little feminine features, like the lace skirt and the sequin under-dress in the photos below, were also a pleasant touch to TK's work.
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TK |
-B
couldn't agree more with you on the FCUK collection
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